Photo by Dylan Ladds
Kalos is drawn to water. Every performance is like stepping into a river—they never play a song the same way twice. They make music inspired by the maritime traditions of Scotland, Ireland, Scandinavia and North America. Their album titles—Harbour and Headland—honor the meeting point between the land and sea and they sing songs about shorelines, seafarers and drownings. They revel in the driving danceability of Irish tunes, but also take inspiration from the pastoral melodies and naturalistic metaphors of Scottish music. But while the music they write is forged in tradition, it is nonetheless cast and tempered in new and unexpected ways.
The trio spans three generations, three cities and two countries. Ryan McKasson (violin, viola, voice), Eric McDonald (guitar, mandolin, voice) and Jeremiah McLane (accordion, piano, voice) met over the years at highland games, contra dances and fiddle camps across North America. They made their first recording in 2016 and have been touring together since 2019. Kalos prizes the magic of live performance—breathing, dancing and weaving together like high-wire acrobats. They are as generous as they are virtuosic. Like nature itself, their music is full of chaos and chance yet always feels spacious and balanced. Their concerts are more an exposé than a performance—they are immersive, trance-inducing experiences.
Kalos appreciates how acoustic music can be a balm, a respite in the midst of our radio-static modern life. “As noisy as music is, it feels like meditation compared to the clatter of social media,” McLane muses. All three band members come from Scottish immigrant families, so even when they venture beyond the edges of traditional Celtic music they remain deeply connected to past centuries and forgotten folkways. The acoustic instruments they play are made of sonorous wood—mahogany, spruce, ebony—and the band is always attuned to the sonic quality of the spaces they play in. They love a reverberant church or a forest green encircled by the far-off hum of cicadas.
Kalos is an ancient Greek word that means “beautiful” or “praiseworthy.” It’s the root of the English words “calligraphy” and “calisthenics.” Like a fine calligrapher or adept gymnast, each musician possesses a profound attention to detail and form. But within the exquisite architecture of their compositions, they remain inventive—finding new flourishes and discovering unseen ley lines in the fertile ground of traditional music. Folk Worlds magazine says, “There’s a spontaneity at work as the three musicians alternately contest and duel, combine and coalesce to bring their talents together.”
Kalos has performed at the Lotus Festival (Bloomington, IN), New Bedford Folk Festival (New Bedford, MA), New World Festival (Randolph, VT), Gracie Center (Bangor, ME), Old Town School of Folk Music (Chicago, IL), Seattle Folklore Society (Seattle, WA) and more. They have taught workshops and masterclasses at Tufts University (Somerville, MA), Celtic Arts Foundation (Mount Vernon, WA) and Valley of the Moon Scottish Fiddle School (Boulder Creek, CA). With music that enlivens the human spirit, Kalos brings warmth, grit and exuberance to every performance.
ryan mckasson (fiddle, viola, background vocals)
Ryan McKasson has gained a strong reputation as a performer, composer,collaborator and teacher. In 1994, he began attending Alasdair Fraser's Valley of the Moon Scottish Fiddling School (VOM), which led him deep into the world of traditional music. In 1996 he became the youngest ever to win the US National Scottish Fiddle Championship and in 1997 he was awarded a Merit Scholarship for Viola Performance from the University of Southern California, where he studied with Donald McInnes. Ryan's professional career took a step forward when in 2004 he spearheaded the formation and development of "The McKassons". This group released two critically acclaimed albums, Tall Tales (2004) and Tripping Maggie (2006). Over the years Ryan has recorded with a number of influential artists, namely his playing appears on fellow Scottish fiddle champion Hanneke Cassel's three albums Silver (2006), For Reasons Unseen (2009), and Dot the Dragon's Eyes (2013), as well as Alasdair Fraser & Natalie Haas's recording Highlander's Farewell (2011). In addition to McKasson & McDonald, other current projects include MAC, Ensemble Galilei and The Syncopaths.
eric mcdonald (guitar, mandolin, lead vocals)
Eric McDonald found his way to traditional music through the rich local music scene in his hometown Boston. Nearly a decade after studying at Berklee College of Music under world renowned musicians such as guitarist/mandolinist John McGann and cellist Eugene Friesene, he is now established as one of the USA's premier accompanists in many styles. Eric cut his teeth playing for contra dances in New England, and can still often be seen from the dance floor. Nowadays he is an active session player, regularly recording and traveling with musicians of many stripes. Touring credits include The Outside Track, Andrea Beaton, Wendy MacIsaac and Katie McNally. In addition to McKasson & McDonald, he can currently be seen touring with the lively trio Daymark, Scottish powerhouse Cantrip, and award winning singer/songwriter Connor Garvey. In addition to guitar accompaniment, Eric's debut solo album Rove features his unique style and approach to tunes on the mandolin, as well as carefully crafted deliveries of traditional ballads on voice and guitar.
Jeremiah McLane (accordion, piano, background vocals)
Jeremiah was raised in a family with deep ties to both its Scottish heritage and its New Hampshire roots. Traditional New England music and dance were a part of his parents and grandparents generations. After an early formation in classical piano, Jeremiah spent his teenage years playing blues and jazz, studying with legend Gary Peacock in university. He then studied Indonesian Gamelan, West African drumming, and the music of minimalist composers Steve Reich and Philip Glass. It wasn’t until his mid twenties that Jeremiah began to immerse himself in the world of traditional Celtic and French music, studying accordion with Jimmy Keene and Frederic Paris. He then spent several decades traveling in Europe, doing field research that laid the groundwork for a Master’s degree from the New England Conservatory. In the early 1990s Jeremiah formed two bands: The Clayfoot Strutters and Nightingale. Both bands had strong traditional New England roots and had a deep and lasting impact on the traditional dance scene in New England. Jeremiah has recorded over a dozen CDs with Nightingale, the Clayfoot Strutters, Bob & the Trubadors, Le Bon Vent, and with Ruthie Dornfeld. His second solo recording, Smile When You’re Ready, was nominated by NPR in their “favorite picks”, and his fifth release, Hummingbird, with Ruthie Dornfeld, received the French music magazine “Trad Mag” Bravo award, as did his CD Goodnight Marc Chagall with Le Bon Vent. He has composed music for theatre and film, including Sam Shepard’s “A Lie Of The Mind”, and been awarded the Ontario Center For The Performing Arts “Meet The Composer” Award, and the Vermont Council On The Arts “Creation Of New Work” grant.